Continuing

This essay appears in The Fuse Box: Essays on Writing from the International Institute of Modern Letters

 

At some point in every writer’s life they’ll find themselves facing the question, ‘Why write?’ Because it can be a lonely slog, and you have to like it. Because it’s always been difficult to make any money, . . . → Read More: Continuing

Why Horror?

This essay first appeared, in a slightly less finished form, in Canvas. I sat on it awhile before posting.

Horror has been called the most moral of the genres, perhaps because it deals in calamity, in inexorable events and the experiences of small human victims, witnesses, collaborators. Because human existence is prone to repeated . . . → Read More: Why Horror?

Where Wake Came From

Note

As a blogger’s introduction to Wake I’ve decided to transcribe what I wrote in my journal some months into my writing the novel. I had returned to it after a break, finally seeing what it was doing and what it might be for.

I have used letters or a long dash to replace . . . → Read More: Where Wake Came From

My Workspace

My Workspace (without the customary cats)

I guess this piece could be titled ‘How I came to change the way in which I do everything’. It could go two ways—and I’ve decided it’s better to resist neither, to do both, even if one is personal and might seem beside the point of workspaces, and . . . → Read More: My Workspace